Harmonic, comic convergence in ‘Forever Plaid’
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Tom Titus
Audiences at the Laguna Playhouse, it must be noted, tend to be a
little long in the tooth, which means they should be thoroughly
captivated with a musical production such as “Forever Plaid,” which
turns back the clock to the 1950s -- pre-Elvis -- when four-part
harmony reigned supreme.
This was the time of the Four Lads, the Four Aces, the Four
Freshmen and other quartets -- who warbled such richly textured tunes
as “Shangri-la,” “Rags to Riches” and the ultimate prom date theme,
“Moments to Remember.” It was an exceptionally mellow time and one I
remember fondly.
That kind of music isn’t being dispensed these days, however, so
in order to offer an evening of four-part harmony, there has to be a
logical back story. In the case of “Forever Plaid,” now ensconced at
the playhouse through July and August, the four singers all have been
dead for 40 years -- killed in a traffic accident when their car was
struck by a bus full of Catholic school girls en route to the
Beatles’ first U.S. appearance on the Ed Sullivan Show.
They were on their way to pick up their plaid tuxedo jackets for
their first big concert. And now, the heavenly forces have offered
them the chance to come back to Earth to give that show they never
gave in life. And they’re more than a little nervous about it.
This edginess works its way into director Larry Raben’s production
as ‘50s teenage awkwardness -- one band member suffers from
nosebleeds and is continually out of step with the rest. But, as the
evening wears on, the foursome become more comfortable and this
relaxes the audience as well. At the end, it’s standing ovation time
as the Plaids soar back to heaven.
All four members of the group have played their characters in
various other productions of “Forever Plaid,” and their harmonic
convergence in Laguna is, well, heaven sent. Their voices blend
beautifully, and their comical interaction prevents the show from
becoming merely a nostalgic ‘50s music concert.
Ryan Drummond, Steve Gunderson, David S. Humphrey and Kevin
McMahon comprise the four Plaids, backed beautifully by musical
director and pianist Diane King Vann, with John Smith on bass. Vann
adds a nice, light touch during the group’s Calypso number as she
dons the requited straw hat, but most reluctantly, then leaves to
take a personal phone call, which sets up a “surprise” bit.
All four Plaids enjoy multiple featured assignments on the various
numbers, and all are in fine voice and terrific comic spirit.
Drummond is logging his 609th through 672nd performances as the
bespectacled nose-bleeder Smudge, having taken up the character in
1999.
Gunderson’s Sparky and McMahon’s Jinx provide rich comical
harmony, while Humphrey exudes a high degree of “cool” as the group’s
lead singer. He’s especially effective when he coaxes a lady from the
audience to join them on piano for the “Heart and Soul” number.
While the finale, “Love is a Many Splendored Thing,” may be the
musical high point of the show, most theatergoers probably will point
to the three-minute, 11-second rendition of the Ed Sullivan Show as
the most accomplished moment. The Plaids demonstrate their
versatility in this madcap adventure, which includes juggling and
fire-eating.
The audience gets to join in on the Calypso anthem “Matilda,” as
it did when Harry Belafonte originally sang it. The Plaids even tip
their caps to the Beatles with a harmonic version of “She Loves You.”
The recently departed Perry Como comes in for a tribute as the
Plaids re-enact a time when they kept the singer a virtual hostage
until he attended their concert. The songs “Sixteen Tons” and “Chain
Gang” are blended into a number celebrating work.
“Forever Plaid” is hardly a stranger to local audiences, with
previous productions having been staged at the Orange County
Performing Arts Center and Orange Coast College. Yet this timeless
music may be revisited most enjoyably 50 or more years from its
heyday.
* TOM TITUS reviews local theater for the Coastline Pilot.
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